Shirts For change

With your help and the help of Blue Rose Music we were able to raise $2,100 in three weeks and make donations of $700 to the Black Futures Lab, The Conscious Kid, and the Know Your Rights Camp. We encourage you to check out these organizations (as well as the many other) that are helping in the fight for racial justice and to continue to follow them and their missions.

We will be mailing out the remaining shirt orders this week so expect to receive yours soon if you haven’t already. Thanks again for your support.

Jun 8 - Each week we will be donating the proceeds to a different charitable organization that are promoting and helping assist in the achievement of racial justice. All proceeds raised will be matched by Blue Rose Music.

June 22 - This week proceeds will go towards Know Your Rights Camp. Here is their mission statement:

Our mission is to advance the liberation and well-being of Black and Brown communities through education, self-empowerment, mass-mobilization and the creation of new systems that elevate the next generation of change leaders.

Jun 15 - This week's proceeds will be going towards The Conscious Kid. Here is their missions statement:

The Conscious Kid is an education, research and policy organization dedicated to reducing bias and promoting positive identity development in youth. We partner with organizations, children’s museums, schools, and families across the country to promote access to children’s books centering underrepresented and oppressed groups.

June 8 - This week's proceeds from sales go towards Black Futures Lab. Here is Black Futures Lab's mission statement:

Black Futures Lab works with Black people to transform our communities, building Black political power and changing the way that power operates—locally, statewide, and nationally.

s to which organization we will be donating to each week. All the proceeds made between June 8th-14th will go directly to Black Future Labs. We will be keeping you updated a

If you would like to donate directly to Black Futures Lab you can do that here: https://cpasf.ourpowerbase.net/civicrm/contribute/transact?reset=1&id=45

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Good Times Santa Cruz - 'In The Cuts' Review

Coffis Brothers Call Back to Other Musical Siblings on ‘In the Cuts’

Jamie and Kellen Coffis deliver harmony-drenched rock

By Wallace Baine

Other than the name of their group, musicians Jamie and Kellen Coffis aren’t in the habit of calling too much attention to the fact that they are brothers. It’s not likely, for instance, that they’ll ever be caught performing in matching sweaters, or engaging in “Mom liked you best” banter on stage between songs.

But they are not above a clever acknowledgment of their shared blood every once in a while. Take the last song on the Coffis Brothers’ newly released album In the Cuts, “Bye Bye Susie.” In case you missed the reference to another famous song in that title, about a minute and a half into this amiable rocker, the Coffis boys winkingly switch over into a musical quote of the immortal “Bye, Bye Love” by Phil and Don Everly, who also wrote the hit “Wake Up Little Susie.”

“At first, it was just a placeholder,” says Jamie Coffis, who wrote “Bye Bye Susie.” “But as time went on, it kinda became unavoidable. It became the charm of the song, and it couldn’t be replaced.”

“We love the Everly Brothers, and we’ve even done Everly Brothers tribute shows,” says Kellen Coffis. “(Jamie) didn’t set out to write a song about the Everly Brothers. But once it was out there, we just had to lean into it and accept it.”

It’s a fun moment in an album that otherwise has little in common with the Everlys. Like much of their recorded material over the past decade, the new album by the Coffis Brothers mines a rich vein of unpretentious, guitar-driven, harmony-drenched rock. Its first single—the mellow, dreamy, mid-tempo “In My Imagination”—is an ideal choice for cruising in a convertible on a sunny afternoon. The album’s late-’70s style graphic cover art also gives you clues about the Coffis musical vibe.

“Sensibility-wise, it’s many of the same choices that we’ve always made,” says Jamie of the new album. “It’s also more mature. It just shows that we’ve been growing and learning. The fact that we got to work with someone we’ve been a big fan of in Tim Bluhm was a good match, too.”

That’s Tim Bluhm from the popular Northern California trio the Mother Hips, who served as the producer of In the Cuts. “We started out as just big fans,” says Jamie of the Coffises’ relationship with Bluhm. “We ran in some of the same circles and, as time went on, we had some friendly conversations. But as far as someone we’ve wanted to work with, he had been at the top of the list for a long time.”

As a musical enterprise, the Coffis Brothers are less like the Everlys and more like the Allman Brothers, in that they front a much larger band featuring non-family members. The five-piece band includes guitarist Kyle Poppen, who has been playing with Jamie and Kellen since they were all preteens. The band’s rhythm section consists of bassist Aidan Collins and drummer Sam Kellerman. (For years, the band went by the moniker the Coffis Brothers & the Mountain Men, but for simplicity’s sake, they’ve ditched the second part of their name.)

Photo by Jay Blakesberg

At the heart of the band remains Jamie and Kellen, who grew up singing harmony with their mother, children’s-music performer Vicki Neville Coffis. The brothers began writing songs together in 2007, and by 2011 they had formed a band and released their debut recording. For the past decade, the band has been regularly touring the Northern California club circuit, building a formidable fan base and representing the Santa Cruz sound.

The brothers are both songwriters, and though they tend to write separately, they alternate on songwriting credits and lead vocals as close to 50/50 as possible. “We’ve always pretty much gotten along,” says Kellen, the younger brother. “Sometimes we’ll get annoyed with each other, but that’s to be expected. At this point, we know the band itself is bigger than the two of us, and that’s the most important thing. But there’s no one else on the planet who’s going to be able to sing harmony with me as well as Jamie can.”

As is the case with every other California musician, the Coffis Brothers are working to figure out a new normal for live music in the pandemic era. Because Jamie and Kellen are also roommates, they’ve been able to perform online together, in the same room. But In the Cuts comes at a time when the band is robbed of the opportunity to market the album through live performances.  

“The lack of shows is kind of disconcerting,” says Jamie, who also works part-time as a programmer on KPIG (107.5 FM). “But I’m optimistic about the proposition of releasing an album in this time. It gives us something to stay busy with, for sure. In some ways, it might turn out to be an advantage, in that we get some eyes on it as a result of people not being able to go out and see shows. They’re looking for something they might be able to enjoy in their homes.”

“I have to believe that we’re going to get on the other side of this,” says Kellen. “There will be changes that are temporary, and others that will be permanent. I don’t know exactly how things are going to play out, but the important thing is that we can remember people are coming to the realization of how special it is to see live music. What would someone give right now to go into a room with a hundred other friends and watch a band? Thinking about that right now, fifteen bucks for that sounds like nothing.”

By Wallace Baine

https://goodtimes.sc/santa-cruz-arts-entertainment/santa-cruz-music/coffis-brothers-call-back-to-other-musical-siblings-on-in-the-cuts/?fbclid=IwAR2p_LkNSgaONM08OTjLGWabuHs7R-bTMGBD1OlNyy1S3SlzTtr2iKHrTn8

'In The Cuts' Album Review by Glide

Glide Magazine Album Review

THE COFFIS BROTHERS’ ‘IN THE CUTS’ MAKES A GLORIOUS OLD TIME ROCK STATEMENT (ALBUM REVIEW)

By Daniel Talamantes

The Coffis Brothers’ fourth album, In The Cuts, starts with the anthemic declaration we wanted to hear. You know, it’s the kind that makes you pause the song, unplug your headphones, switch that restored-vintage-stereo input to aux, and crank the volume knob as the garage door opens to that springtime sunlight. The steady pulse of the bass, familiar yet nuanced vocal melody, tight harmonies, crisp guitars, call-and-response belting chorus at the end, and frisky drum fills elicit the appreciative nods of your neighbors across the street. They inquire and you say it’s the new Coffis Brothers’ album. “Rad,” they reply–pretty much summing up the remainder of this review.

In The Cuts is humble in presentation but humbling for musically-inclined peers–objectively enjoyable for all listeners. Polished, intricate, and, most importantly, emotionally raw, these songs are a masterclass in technical skill, recording, and songwriting. In true Coffis Brothers style, they reveal their talent not through showboating and peacockery, but through choice and style–or, simply put: craft. Essentially, the album is pure unadulterated rock-n-roll and the perfect counterargument to anyone who posits the old chestnut: It isn’t like it used to be.

Each song glides seamlessly into the next. “In My Imagination” channels the nostalgia of California-bred living with rich harmony texturing and smart chord changes. Take Me offers a patient country-rock blues verse before a chorus that has a catchy quality that you know will lead to someone down the line loudly claiming they know this song even though they don’t. “Right Love” is a classic rock ballad song with impassioned singing fit for any living room suffused in the evening light. This song is followed by the midnight motorcycle ride of “Play it Loud.” Where many albums will leave you with a pensive, reflective number, “Bye Bye Susie” is a classic roots strut that goes as far as echoing the Everly Brothers at the end, announcing their intentions. These are just a few songs from this impressive twelve-song catalog.

What one can really appreciate is the way in which the Coffis Brothers blend perfectly while showcasing each instrument at once. Nothing hides in their music. It leads to a complex musical conversation between instruments and voice that bond together over the same goal: the quality of the band. There is a comfort and communion between them that suggests a brotherhood extending beyond the blood-ties of Jamie and Kellen Coffis.

That notion was noticed and confirmed by California musical legend and stalwart Tim Bluhm of The Mother Hips who produced the album. Recorded at 25th Street Recordings in Oakland, CA over the course of 2019, what came to fruition through the process was a well-guided and thoughtful exhibition of their sound.